Portfolio

Meaning never arrives intact. It is endlessly deferred, displaced, and fractured, unfolding through absence rather than presence. What appears familiar gradually becomes strange, until the image no longer reflects reality but exposes its simulation, where memory, history, and identity dissolve into signs without an original.

Photography, for me, is not an act of recording. It is an excavation of what remains hidden beneath visibility; an encounter with silence, loss, and the fragile architecture of existence. These works do not seek interpretation or certainty. They invite the viewer to inhabit the distance between seeing and knowing, where every answer transforms into another question.

"In memory of Roland Barthes (1915-1980); 'Every photograph is evidence of a presence.' A presence that is implied in his companionship with death."
Woman , Life , Freedom
Lukacs says "to think means to endow the object with the power of speech." In a background replete with a sharp contrast, the asymmetric amalgamation of diagonal and curving lines is similar to the bewilderment of significatives in language. In today
The image offers no stable figure to recognize, only the restless movement of appearance itself. Forms gather and dissolve before they can become objects, leaving behind traces that resist possession. What is seen is inseparable from what withdraws,
The object has changed, becoming the subject! This is the main idea of this picture. In fact, the object loses its practical meaning so that the handle is not the handle any more! And its definition as a tool for opening and closing has been changed
The blade no longer cuts; it listens. Standing upright against the grain of wood, it withdraws from its ordinary purpose and becomes a silent witness to an absence that cannot be named. Its sharpness points less toward destruction than toward the fra
Every connection conceals its own fracture. The hook promises attachment, yet what it presents is the silent weight of waiting rather than fulfillment. Suspended between holding and releasing, the object no longer functions as a tool but as a trace o
Every blurred body carries the memory of a desire that can never return in its original form. The image withholds the certainty of recognition, allowing the unconscious to replace vision with recollection. What remains is neither a portrait nor a doc
Darkness is not the absence of light; it is the place where light becomes visible. The solitary rectangle does not promise revelation but distance, drawing the eye toward something that forever remains beyond reach. The human figure survives only as
Every knot remembers the movement that created it. What appears as permanence is only a temporary negotiation between forces pulling in different directions. The intertwined links no longer speak of restraint alone, but of intimacy, dependence, and t
The object withdraws from its ordinary function. Detached from utility, the broom no longer serves to clean but reveals the concealed dialogue between order and decay. Every surface bears the memory of what has touched it, while every gesture of puri
The reflection of a traditional window on ground through the sunlight, locating in one of the rooms of Hamam Fin Kashan, Fin Garden, Kashan, Iran
Every threshold carries the promise of another side. Yet the hinge remembers that every opening is already inhabited by closure. Rust is not decay but writing—the slow inscription of time upon metal. What appears immobile continues to defer its desti
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Every shadow is the memory of a body already elsewhere. Photography does not preserve presence; it preserves its disappearance. What the eye encounters is neither person nor absence, but the silent interval where identity dissolves into light, and me
To open is already to defer. The faucet exists not as a source of water, but as the architecture of expectation. It speaks through what it withholds. Presence here is measured not by flow, but by interruption—the silent interval where desire, memory,
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Meaning does not disappear when form dissolves; it merely withdraws. The blur is not the failure of vision but the place where visibility uncovers its own limits. What escapes identification is not empty—it is the excess that every image leaves behin
Nothing remains long enough to become itself. The water carries forms without keeping them, offering a world that exists only through perpetual disappearance. Every wave writes and erases the visible in the same gesture, reminding us that memory surv
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This photo On the issue of acid throwing in Iran. This picture shows the effect of acid on metal and how to become social objects to the subject. In today's modern and post-modern world where the tiniest of human movements and responses are under tot
Time leaves no signature except its traces. The web is not an ornament upon the vessel but the language through which absence becomes visible. Every thread records an invisible waiting, where silence slowly transforms the ordinary into an archive of
Nothing here asks to be remembered, yet everything remembers. The utensils, stains, rust, and broken surfaces form a language without a speaker. The room becomes an archaeology of gestures, where absence accumulates more densely than presence, and th
Not every presence seeks visibility. Emerging from darkness, the form refuses to become fully identifiable, remaining suspended between appearance and disappearance. The image does not conceal reality; it exposes the limits of perception itself. What
The structure dominates the landscape, yet what it carries remains invisible. Power reveals itself only through its effects, never through its own presence. The tower stands as a monument to an absence that organizes the visible world. Between earth
Every portrait survives by borrowing another face. The living hand lifts the image of the dead, but in doing so, the boundary between remembrance and identity begins to dissolve. Presence is no longer located in a body, nor in a photograph, but in th
The eye is not revealed; it negotiates its own visibility. Framed by the hand that both protects and conceals it, vision becomes an uncertain event rather than a certainty. To see is never immediate; every gaze is filtered through absence, memory, an
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