https://www.aminbozorgzadeh.com/about daily 0.75 2026-06-28 https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/9323eed3-7b9f-46eb-a283-0f7b96387fce/IMG_4504.JPG https://www.aminbozorgzadeh.com/portfolio daily 0.75 2026-06-28 https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/ff400022-3d5c-4ac7-8cf9-2f87d0f68815/Salvation.JPG Portfolio "In memory of Roland Barthes (1915-1980); 'Every photograph is evidence of a presence.' A presence that is implied in his companionship with death." https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/b2578702-72e0-4c77-abfe-b7f3d3847ffa/Schizophrenia.jpg Portfolio Woman , Life , Freedom https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/4bfadfd8-e8ca-443e-a991-2ad3557e5bcb/3.jpg Portfolio Lukacs says "to think means to endow the object with the power of speech." In a background replete with a sharp contrast, the asymmetric amalgamation of diagonal and curving lines is similar to the bewilderment of significatives in language. In today's modern and post-modern world where the tiniest of human movements and responses are under total surveillance by establishments of state, politics and power, photos, by outmaneuvering ideologies and mega-narratives, endeavor to reach another aspect of man, his responses and the "hard core of truth", and also to leave behind commodity fetishism and ideology. https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/3546be57-3e93-46b4-8511-af379e626669/7.jpg Portfolio The image offers no stable figure to recognize, only the restless movement of appearance itself. Forms gather and dissolve before they can become objects, leaving behind traces that resist possession. What is seen is inseparable from what withdraws, as if visibility were always haunted by its own disappearance. Rather than depicting the world, the photograph exposes the fragile threshold where perception hesitates and meaning remains forever incomplete. The image becomes not a representation, but an event of seeing. https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/33e668ba-7d09-4d17-99a2-90404c511128/2.JPG Portfolio The object has changed, becoming the subject! This is the main idea of this picture. In fact, the object loses its practical meaning so that the handle is not the handle any more! And its definition as a tool for opening and closing has been changed and give a new meaning. And this evolution needs heroic endeavor! https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/47ea160a-762b-4c7c-9a49-12b35eca0d9a/4.jpg Portfolio The blade no longer cuts; it listens. Standing upright against the grain of wood, it withdraws from its ordinary purpose and becomes a silent witness to an absence that cannot be named. Its sharpness points less toward destruction than toward the fragile boundary where presence begins to disappear into memory. The image resists narrative, offering instead a space where meaning continually slips away, leaving only traces to be encountered rather than resolved. In this suspended moment, violence is no longer an act but a possibility, quietly waiting within the silence of things. https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/5f0a30da-d806-4f1e-a101-0f1f48d89ffe/5.jpg Portfolio Every connection conceals its own fracture. The hook promises attachment, yet what it presents is the silent weight of waiting rather than fulfillment. Suspended between holding and releasing, the object no longer functions as a tool but as a trace of relation itself. Presence here is never complete; it survives only through the possibility of absence. The image asks whether connection is ever an accomplished state, or merely the fragile interval before every inevitable separation. https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/7f0920f8-becd-4e66-a2c9-622f63ab45b3/9.jpg Portfolio Every blurred body carries the memory of a desire that can never return in its original form. The image withholds the certainty of recognition, allowing the unconscious to replace vision with recollection. What remains is neither a portrait nor a document, but an apparition suspended between intimacy and loss. The closer one looks, the further the figure withdraws, revealing that memory is never an archive of facts but a continuous reconstruction shaped by absence. The photograph becomes the place where forgetting and remembering meet without ever becoming one. https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/ff02341e-bc95-4474-b641-2eb43f654114/12.jpg Portfolio Darkness is not the absence of light; it is the place where light becomes visible. The solitary rectangle does not promise revelation but distance, drawing the eye toward something that forever remains beyond reach. The human figure survives only as a shadow, reminding us that every attempt to see also conceals. Between silence and illumination, the image offers no destination, only an opening where perception begins to question itself. https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/3205b2ff-ed60-45ba-89ad-db041d006395/Life.JPG Portfolio Every knot remembers the movement that created it. What appears as permanence is only a temporary negotiation between forces pulling in different directions. The intertwined links no longer speak of restraint alone, but of intimacy, dependence, and the impossibility of absolute separation. The photograph does not freeze a form; it captures a relationship that continues to unfold beyond the frame. Each curve carries the memory of another, until the distinction between self and other quietly disappears. https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/f8f81271-25cd-4611-83c1-4ec064e8ae58/Screenshot+2025-05-14+223055.jpg Portfolio The object withdraws from its ordinary function. Detached from utility, the broom no longer serves to clean but reveals the concealed dialogue between order and decay. Every surface bears the memory of what has touched it, while every gesture of purification simultaneously produces another layer of history. Meaning does not reside in the object itself, but in the endless oscillation between concealment and disclosure. https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/cbbb93a3-afa9-4c17-8668-03f0c3c53e3c/15.jpg Portfolio The reflection of a traditional window on ground through the sunlight, locating in one of the rooms of Hamam Fin Kashan, Fin Garden, Kashan, Iran https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/be231d4e-fb18-4ce9-b77e-16d1d8669b87/Screenshot+2025-05-14+224008.jpg Portfolio Every threshold carries the promise of another side. Yet the hinge remembers that every opening is already inhabited by closure. Rust is not decay but writing—the slow inscription of time upon metal. What appears immobile continues to defer its destination, preserving the possibility of passage precisely through its impossibility. https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/3e5dc4ac-6285-444f-b0e9-2c5780d17dac/Screenshot+2025-05-14+224035.jpg Portfolio Every shadow is the memory of a body already elsewhere. Photography does not preserve presence; it preserves its disappearance. What the eye encounters is neither person nor absence, but the silent interval where identity dissolves into light, and memory survives only as a moving trace. https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/faa3d3ad-859c-4193-b062-b5e9ce601c7b/5.jpg Portfolio To open is already to defer. The faucet exists not as a source of water, but as the architecture of expectation. It speaks through what it withholds. Presence here is measured not by flow, but by interruption—the silent interval where desire, memory, and function become indistinguishable. https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/abe18b74-d394-40db-9f41-d1e2042d0b9a/7.jpg Portfolio Meaning does not disappear when form dissolves; it merely withdraws. The blur is not the failure of vision but the place where visibility uncovers its own limits. What escapes identification is not empty—it is the excess that every image leaves behind, resisting completion and inviting thought beyond representation. https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/ce02fab1-3c3c-4988-9e23-3e214cb9b738/10.jpg Portfolio Nothing remains long enough to become itself. The water carries forms without keeping them, offering a world that exists only through perpetual disappearance. Every wave writes and erases the visible in the same gesture, reminding us that memory survives not through permanence but through endless transformation. https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/6cd5aafe-65b3-4455-b99c-55886b845c0c/8.jpg Portfolio This photo On the issue of acid throwing in Iran. This picture shows the effect of acid on metal and how to become social objects to the subject. In today's modern and post-modern world where the tiniest of human movements and responses are under total surveillance by establishments of state, politics and power, photos, by outmaneuvering ideologies and mega-narratives, endeavor to reach another aspect of man, his responses and the "hard core of truth", and also to leave behind commodity fetishism and ideology. https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/8517eee0-509b-448a-89cd-88f20f9f7ad4/20.jpg Portfolio Time leaves no signature except its traces. The web is not an ornament upon the vessel but the language through which absence becomes visible. Every thread records an invisible waiting, where silence slowly transforms the ordinary into an archive of forgotten existence. https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/a0b8008e-a577-4cb9-a633-5fc00959549c/Screenshot+2025-05-14+223938.jpg Portfolio Nothing here asks to be remembered, yet everything remembers. The utensils, stains, rust, and broken surfaces form a language without a speaker. The room becomes an archaeology of gestures, where absence accumulates more densely than presence, and the ordinary reveals itself as the most enduring monument of human existence. https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/707b1efc-8aa6-43b1-9fce-d61d17d10990/IMG_20180420_170933_949.jpg Portfolio Not every presence seeks visibility. Emerging from darkness, the form refuses to become fully identifiable, remaining suspended between appearance and disappearance. The image does not conceal reality; it exposes the limits of perception itself. What remains unseen is not outside the photograph—it inhabits it, reminding us that every act of seeing is accompanied by an equal measure of blindness. https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/e05574df-9828-4aa0-8764-877e57f87419/IMG_1938.JPG Portfolio The structure dominates the landscape, yet what it carries remains invisible. Power reveals itself only through its effects, never through its own presence. The tower stands as a monument to an absence that organizes the visible world. Between earth and sky, the photograph records not electricity, but the architecture of the unseen—the silent system through which modern existence continuously passes. https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/1478afa5-2962-4d4a-be34-78ef65133631/21.jpg Portfolio Every portrait survives by borrowing another face. The living hand lifts the image of the dead, but in doing so, the boundary between remembrance and identity begins to dissolve. Presence is no longer located in a body, nor in a photograph, but in the fragile gesture that holds them together for an instant before time separates them once again. https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/e4492a1f-7e46-49e6-bab1-70fc8b9772d8/IMG_20180502_225855_786.jpg Portfolio The eye is not revealed; it negotiates its own visibility. Framed by the hand that both protects and conceals it, vision becomes an uncertain event rather than a certainty. To see is never immediate; every gaze is filtered through absence, memory, and desire. The image resists transparency, suggesting that what remains hidden may be more truthful than what is exposed. https://www.aminbozorgzadeh.com/home daily 1.0 2026-06-28 https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/3546be57-3e93-46b4-8511-af379e626669/7.jpg https://www.aminbozorgzadeh.com/contact daily 0.75 2026-06-28 https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/40386f84-8165-4f3c-a12d-28023ac3f462/IMG_20201224_181150_583.jpg https://www.aminbozorgzadeh.com/awards daily 0.75 2026-06-28 https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/f9533540-30f1-4681-8d85-6ad1dcd9f2c1/2024.jpg https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/1e0b5583-3aed-4d94-a893-7b63a999898b/Screenshot+2026-06-28+140237.jpg https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/49d4d1d3-e8a6-483e-b5d1-8cad8722682e/2017.jpg https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/2c4921e6-36a4-445f-9204-76a9921cae7f/2015.jpg https://images.squarespace-cdn.com/content/v1/6a40f4e312c8302f3a7336ac/2a083fb4-5351-46f5-9198-3cfa72e013d4/2014.jpg